Storytelling & the Body ~ International Conference
Time & Location
About The Event
We live in an era where stories about bodies – in/visible bodies, glamorous bodies, engineered bodies, trafficked bodies, dismembered bodies, persecuted bodies – are omnipresent. While bodies are literally made of flesh and blood, our understanding of bodies is constructed through fictional and non-fictional stories that shape perceptions of what constitutes the body, how a body should look, how a body should behave, how a body should experience the world and how bodies should interact with each other. By creating these types of norms, stories also shape perceptions of what constitutes deviant, non-normative and otherwise undesirable bodies. Telling stories about the body is therefore an act loaded with ideological, political, sociological, theological, ontological and aesthetic implications.
At the same time, notions of the body have also had a significant impact on the stories cultures have created and passed down through generations. Suffering bodies are central to the foundational narratives of various religious, cultural and political traditions. Genres have emerged with stories about monstrous bodies, sexual and erotic bodies, bodies at war, modified bodies, bodies coming of age and ageing, bodies being tested by nature, bodies enhanced by (bio)technology, politicised bodies and so forth.
At a time when the socio-political landscape is dominated by the construction of barriers among the population based on race, nationality, gender, sexual orientation and class, it is more important than ever to consider how stories about bodies and perceptions of bodies shaped by stories not only foster division and difference, but also inspire cohesion and belonging. Stories help to create tangible and intangible barriers and borders between human beings. At the same time, stories can also foster awareness and compassion for our common humanity in order to transcend borders and overcome barriers. Some barriers are more personal, and therefore less obvious, because they take the form of a physical or psychological issue that somehow limits an individual’s capacity to participate in their community and/or to achieve their full potential.
Accordingly, the second inclusive interdisciplinary Storytelling event seeks to explore the complex, multi-faceted dynamics of this symbiotic relationship between storytelling and the body with a view to forming a publication to engender further collaboration and discussion.
Particular disciplines, practices and professions have inscribed stories and bodies with particular meanings that, when viewed in isolation, can be skewed and limited. Accordingly, the project aims to break down these boundaries through inter-disciplinary engagement that emphasises inclusivity, dialogue and collegiality.
Consistent with its interdisciplinary ethos, the event proposes to step outside the traditional conference setting and offer opportunities for artists, photographers, practitioners, theorists, independent scholars, academics, performers, writers, and others to intermingle, providing platforms for interdisciplinary interactions that are fruitful and conducive to broadening horizons and sparking future projects, collaborations, and connections.